Dysbiosis (Spenny Liautaud)
Name: Spencer Liautaud
Title of Piece: Dysbiosis
Size: 36x36"
Medium: Mixed media: linen, epoxy, barbed wire, molding paste, acrylic and spray paint
Price: $4,000
Description: Liautaud employs materially intensive wall work, frame intervention, and textile-based construction to investigate the fragile interplay of organic systems and bodily decay. Hand-woven, pigment-saturated linen strips intersect with dimensional epoxy forms, their chromatic repetition activating spatial tension and formal rhythm. The embedded epoxy and geometric cubes employ a mycelial network encircling the composition, once protective and invasive, suggesting containment and quiet invasion. The work evokes cycles of regeneration, stress and resilience, allowing for reflection and the intimacy of vulnerability.
Name: Spencer Liautaud
Title of Piece: Dysbiosis
Size: 36x36"
Medium: Mixed media: linen, epoxy, barbed wire, molding paste, acrylic and spray paint
Price: $4,000
Description: Liautaud employs materially intensive wall work, frame intervention, and textile-based construction to investigate the fragile interplay of organic systems and bodily decay. Hand-woven, pigment-saturated linen strips intersect with dimensional epoxy forms, their chromatic repetition activating spatial tension and formal rhythm. The embedded epoxy and geometric cubes employ a mycelial network encircling the composition, once protective and invasive, suggesting containment and quiet invasion. The work evokes cycles of regeneration, stress and resilience, allowing for reflection and the intimacy of vulnerability.
Name: Spencer Liautaud
Title of Piece: Dysbiosis
Size: 36x36"
Medium: Mixed media: linen, epoxy, barbed wire, molding paste, acrylic and spray paint
Price: $4,000
Description: Liautaud employs materially intensive wall work, frame intervention, and textile-based construction to investigate the fragile interplay of organic systems and bodily decay. Hand-woven, pigment-saturated linen strips intersect with dimensional epoxy forms, their chromatic repetition activating spatial tension and formal rhythm. The embedded epoxy and geometric cubes employ a mycelial network encircling the composition, once protective and invasive, suggesting containment and quiet invasion. The work evokes cycles of regeneration, stress and resilience, allowing for reflection and the intimacy of vulnerability.